Archive for the ‘Digital Society’ Category

Bad Horsing Around and Other Things That Make My Head Explode (in a good way)

December 16, 2008

I have to admit, it’s hard to come here and blog about stuff I’ve spent hours writing a 20+ page paper on.  But I’ll try.

I discovered that doctorhorrible commented on one of the earliest Dr. Horrible fan vids involving an original villain.  Check out Dr. Dreadful’s YouTube Riposte and the official comment from the Dr. Horrible YouTube folks.  Makes me wonder if that wasn’t the inspiration for the magnificent Evil League of Evil Application Contest.  (Señor Advisor is right.  I need to try to do interviews with important people.)  Why is this OMG! So much awesome!?  Because it plays right into my theory that rather than being a top-down media catalyst for Participatory Culture, Dr. Horrible is really part of the Participatory Culture.  Granted, it’s a big part and has a soapbox rather than being a voice in the crowd (as opposed to the bully pulpit the network guys have), but the form of the production, the inclusiveness, the way it was publicized, the way fans have been encouraged to participate…to me this says “fan production” more than “industry production.”

In other Dr. Horrible news, have you seen this?

Yeah.  That’s Felicia Day.  And yeah, those are some dudes serenading her with the “Bad Horse Chorus.”  Apparently some seriously wicked (I mean this in the New Englander, awesome way) dudes took it upon themselves to snipe unsuspecting celebrities and fans at PAX 2008 in September.  It started out as a fan-made prank, but the PAX people quickly got wind and wanted it in their DVD, getting the Chorus access to interviews and making sure they were front and center at a Q&A with Gabe and Tycho (the creators of Penny Arcade).  Their shenanigans even got a rather sickly Wil Wheaton to bust a gut.  Check out Epic Default Productions for the full story and all available video of their “Bad Horsing.”  Just more evidence of how beautiful fan culture really is.  How it spreads and broadens and reaches across networks and into all available media.  Sometimes I think I can see the webs that connect the different memes and creations, and not to be trite, but it’s like looking into the stars.  Ok.  That was trite.  But I didn’t know how else to say.  Moving on from my flights of fancy….

After encountering it time and again in researching Dr. Horrible, I finally watched The Guild, starring the lovely Felicia Day.  Even if you’re not a gamer (I’m not, though I’ve certainly lived vicariously), this is a riot.  I believe it will be accessible to any and all nerds, geeks, and/or dorks, and unlike most awesome series these days, it takes minimal time commitment.  I love that these internet projects make money and are able to function without the support of networks and newspapers.  They’re doing art the way art should be done: without strings attached.  Watch it!

We’re entering the final days of the final papers.  I probably shouldn’t be posting right now.  I probably won’t post for the next few days.  And hopefully when I emerge,  I can report on awesome extras for the Dr. Horrible DVD.  Wish me luck in the Horrible conclusion!

I’ve seen the best minds of my generation blogging, digitized, engaged

December 8, 2008

This post started with this column from Neil Howe in the Washington Post.  Obviously he is mostly talking about the “early X-ers,” but it got me to thinking about what really makes us Millennials smart.  As Howe pointed out, the powers that be (our parents, teachers, policymakers) have placed a greater emphasis on our education, but I don’t think that sums it up.

Howe refers to the “daily jeremiads from baby boomers who wonder how kids who’d rather listen to Linkin Park and play ‘Grand Theft Auto III’ than solve equations or read books can possibly grow up to become leaders of the world’s superpower.”  Leaving aside the notion I have that the boomers likely preferred listening to Beatles records than solving equations, let’s examine Millennial entertainment.  I’m not a fan of Linkin Park and can’t speak to them, but other musicians embody this generation’s creativity.  Listening to KanYe West’s sampling, Regina Spektor’s complex rhythms under her poppy, folksy chick melodies, the Arcade Fire’s amalgamation of pop, prog, and acid sounds, we can hear the creativity.  But we aren’t satisfied with just listening.  We need to cut up our songs and splice them back together.  We need to set them to video (from our favorite TV shows, movies, cartoons, YouTube viral videos, whatever).  And we need to seek out these rehashings and remashings.

“Grand Theft Auto” is violent and offensive in its portrayals of humanity, but it also requires ingenuity to play successfully.  When our favorite show is set to be canceled, we are reluctant to sit back and watch it happen.  We blog, email, and petition.  We use games to create our own worlds, and we use IMs, texting, and visual art to create our own language.  And it’s not baby talk.  It’s not degraded language.  It is creative; it has its own inherent patterns.  We are loath to be passive viewers and readers.  We need to create our own stories, our own videos, to participate actively in our culture.  And when it’s time to pick a president, we find new outlets for that creativity.

Why are we, the Millennial Generation, so smart really?  We are incapable of passivity.  We are always acting, doing.

We are innovators.